Pierce Pettis is Born Again

Pierce Pettis has never gotten credit he deserves. He is a thoughtful lyricist. He delivers his stories and messages with a twist of irony and poignancy that is hard to ignore. Pettis has been laying low for the last 4 years. With the release of That Kind of Love it is apparent that Pettis has not spent that time slack-assin’ around. He has been creating the poetic piquant songs which have garnered him such a loyal following. Pettis’ fans are a loyal bunch who have no doubt been waiting for this release and will not be disappointed. His followers may not number as large of a group as Bruce Cockburn, John Hiatt or Steve Earle, but they are loyal just the same. Pettis also does a couple of good covers on this album. The best of the covers is the opening track, “Nothing but the Wind,” originally penned by Mark Heard. He follows the theme of the opener with the self-written tune, “I Am Nothing.”

That Kind of Love features many guest artists who have appeared on Pettis’ past recordings. Stuart Duncan (fiddle, banjo), Andrea Zonn (background vocals, strings), Reese Wynans (Hammond B3), Phil Madeira (Hammond B3, accordion), Byron House ( bass), and Garry West (electric bass). West also produced the album and co-owns the label Compass Records. Needless to say, with this supporting cast the musicianship equals the song craft. When Pettis is at his best, which he is on That kind of Love, his music is transcendent. In fact, he is most reassuring when he points us outside of ourselves. “I am nothing but the angels sometimes whisper in my ear. They tell me things and then they disappear. Though I am nothing, I sometimes like to make believe I hear.” I for one am listening.

Sample at Compass

Ralston Bowles - Rally at the Texas Hotel

Ralston Bowles is a songwriters songwriter. His songs have depth and transcendence in the vein of a Bruce Cockburn or Bill Mallonee. His newest album is Rally at the Texas Hotel. After I heard the album I did some internet research on him and found that he has been profoundly influenced by author Phillip Yancey, who is one of my favorite authors. In fact Yancey's book "What's So Amazing about Grace" was the inspriation of his song "Grace" from a previous album (incidentally that book was also an inspiration for a U2 song by the same.) In other words, it is no wonder that I have such a personal connection with this recording.

On Rally he comments on our culture by employing cultural icons in a humorous way. First there is the song "I Saw John Kennedy Today" in which he uses revisionist history by encountering John Kennedy, who is on a permanent road trip after leaving it all behind when his double was shot in Dallas. Hey if you are going to use JFK why stop there. On the song "Velvet Elvis" he inquires "When did he cross that line from a person to a textile shrine." He reflects on modern religion on "Begging the Question." However, unlike most post-modern singers he doesn't end with cynicism. He proposes an answer on the song "Friend of God," which is a call to simplicity and relationship. He also covers the Mark Heard song "Satellite Sky." The songs are well crafted. At times they are humorous and entertaining at others they are thought provoking and inspiring. The album is on Judy Collins' Wildflower Records. The same label that produced Wes Charlton, who I have posted on previously.

The album was produced by Mark Eitzoni (Counting Crows) and he is joined on the album by Gurf Morlix and Charlie Sexton.

Check out his
MySpace page.

Reluctant City Stages Preview

For readers in Birmingham I am reluctantly doing a City Stages preview. The lineup admittedly is a disappointment this year for City Stages but there are enough notables to mention:

Friday:
Bruce Cockburn- He hasn't been to Birmingham in years. The last time he was at City Stages was absolutely a spiritual experience. Don't miss this if it is the only thing you see at the festival this year.
Willy Mason - See my previous post on him. It is one of my favorite CDs so far this year and one of the few acts that is not a Stages retread or recently performed in Birmingham.
Saturday:
Adam Hood- An Alabama native that is not new to Birmingham but "Different Groove" is a great album. (See my recent review)
Will Kimbrough/Tommy Womack- These two have been around a while. Having them play together was one of the few original ideas the festival organizers had this year.
Matthew Perryman Jones- Heard he stole the show at the Reg's Coffeehouse celebration at the Alabama Theater. I missed the event so I am lookin forward to his set.
Sunday:
Stoll Vaughn- I also missed him at Reg's show but I absolutely love this CD.
Robinella- Probably her third appearance in the city in the last year but she is still fantastic.
Sam Bush- I am glad they signed him this year. His live shows are legendary and he is a virtuoso unrivalled. This is one not to miss. I've seen him many times and never been disappointed.
Ricky Skaggs- Credit to the organizers for the Sunday bluegrass lineup. Sam Bush followed by Ricky Skaggs is hard to beat.

A Sign of the Apocolypse for City Stages:
What no mention of Poison or Ratt headlining the Miller Stage you ask? Of course I am excited about it like an 80's schoolgirl in heat! But I can't bring myself to go. You see my parachute pants are too tight these days and they quit making my favorite hair gel years ago. Goodbye City Stages it has been a nice ride!

Willy Mason's Rough Seas

For those of you reading this post in Birmingham make a note to "self" not to miss Willy Mason at City Stages on June 15th. He is playing atr City Stages unplugged Friday afternoon and opening for Bruce Cockburn at 8pm. I personally find it ironic he is opening for Cockburn since my first impression of If the Ocean Gets Rough was reminiscent of a young Cockburn. He has a deep compelling voice and writes lyrics that connect to your soul. Check out the video link to "We can be Strong" in which a man checking himself out of a mental institution declares "in the end they couldn't sell me grace." This is certainly a realization many people in our culture have discovered as they have tried many ways to acquire grace and failed. Indeed many of the characters on this album seem to be navigating rough waters.

Mason is a Martha's Vineyard resident. While he is a great young songwriter, he is more than just a folky troubador with a six string. He is influenced by a variety of traditional Americana music styles and crafts catchy melodies that make his songs grab hold. At 22 years old I have a feeling we will be hearing his melodies for a long time to come.