We Can't Make it Here Anymore

DEL MCCOURY AND FRIENDS PAY TRIBUTE TO THE STRUGGLES OF RURAL AMERICA

Del McCoury has put out a compilation project that sings about the plight of rural America. The album enlists a stellar group of artists to tell this story. Moneyland, which is also the name of the title cut, invokes the spirit of FDR and his New Deal to tell this story. The first and last cut on the album are excerpts from a couple of FDR’s famous fireside chats, which makes this the first and likely last album review I will do which includes tracks by a dead president. Speaking of dead presidents, money is really the central subject on this project. Every song is really about either the lust for or lack of money, as the greedy are pushing the less fortunate to the margins, especially in rural America.

The songs and musicianship are as compelling as concept. The Del McCoury Band brings two original songs to the table. The first is the title cut "Moneyland" and the other is the hilarious "40 Acres and a Fool," about a new money poser. Country Music Hall of Famer Merle Haggard supplies the 1973 classic "If We Make It Through December" and the more recent "What Happened?," which appeared on his McCoury Music bluegrass debut of last year. The project also includes Emmylou Harris's and Rodney Crowell's glistening take on his "Mama's Hungry Eyes," Dan Tyminski's 2001 recording of "Carry Me Across The Mountain," based on a true Depression era story and Haggard and Marty Stuart's searing "Farmer's Blues." Chris Knight's "A Train Not Running," a more recent tale of economic devastation, is almost painful to listen to but is too compelling to skip.

The album will release on July 8th. The best way to sum it up is in Del's own words. "It's sad to me that country kids can't stay in their hometowns any more. There's no opportunity, there are no jobs, there's just nothing. And at the other end of life, there are a lot of people losing the pensions they worked for-that happened to my wife, Jean-and there are more people relying on Social Security than ever. You know, we have a little fun on this album with that Beatles song, 'When I'm 64,' but really, it's no joke. It used to seem like 60 was really old, but nowadays, it feels more like middle age, and to have a lot of years ahead of you without being sure that what you spent a lifetime working for, like a pension or Social Security, is going to be there-well, that just doesn't seem right... That hillbilly boy in Appalachia and that farm boy in the midwest and that black kid in the inner city, they're all looking for the same thing: a way out and up. One of these days, those kids are going to start working together on their common problems-and when they do, they'll fix them." I hope so Del.

Apparently McCoury Music Only Thinks it Knows Bluegrass

Check this out on Twang Nation

The Grammy nominating committee would not consider Merle Haggard's Bluegrass Sessions for a nomination in the Bluegrass category because they felt it wasn't Bluegrass.

Let's look at the facts. It was produced by McCoury (as in Del) Music, who decided to call it Bluegrass. It features Bluegrass musicians and it was recorded at Ricky Skaggs place. That sounds a lot like Bluegrass to me. Also, if you go to any Bluegrass fstival you will see that the Bluegrass community casts a pretty wide net as to musical styles. I definitely think there is room in that net for this album.

Talk about hypocricy! If you can't call Haggard's album Bluegrass then please don't call Faith Hill or Shania Twain country.

Merle Haggard - The Bluegrass Sessions

It seems a lot of artists are jumping on the acoustic bandwagon and putting out Bluegrass albums these days. So it would be real easy for such an album to get lost in the shuffle. Not so when the artist is Merle Haggard. In fact, you have no choice but to listen. Recorded at Ricky Skaggs place in Hendersonville, Tennessee; The Bluegrass Sessions features an all-star lineup:

Marty Stuart - Mandolin
Carl Jackson - Guitar
Rob Ickes - Dobro
Charlie Cushman - Banjo
Aubrey Haynie - Fiddle
Alison Krauss - Voclas on "Mama's Hungry Eyes"

In recent years Haggard has experienced a renaissance and has released some albums that could rank up there with his classics. Too bad the Nashville brass has failed to notice. Unfortunately that is the current reality of mainstream country radio. Legends like Merle Haggard don't get airplay. His songwriting has been served well by the years and lyrically he is writing introspective songs characterized by depth and honesty. For example, on "Learning to Live with Myself" he sings, "I learned to live with my darlin' God took my darlin' away. Down through the years he took all my peers and left me here in the clay ... Til he gives me the call the hardest of all will be learning to live with myself." Or consider the words from "Pray", "Get your eyes off yourself. Think of somebody else. Imagine how hard life could be. Count your blessings again. Kiss the lips of your friend and pray, pray, pray. Not that Haggard leaves the honky tonk behind, as evidenced by "Runaway Momma," but I think this introspective journey is one we will all take before the end of our lives. After all he has come through in his life, it is good to see Haagard look back and realized he enjoyed the journey.

Watch this in Studio video of "Holding Things Together:



This review also appears on: Twangville

Elizabeth Cook Live - Workplay Birmingham, AL June 1st

Three songs into her set at the Workplay Theatre in Birmingham Elizabeth Cook broke into the Merle Haggard tune “Today I Started Loving You Again.” Somehow she took this Haggard composition and channeled Tammy Wynette and Loretta Lynn simultaneously. There is no doubt in seeing her live that she is every bit as authentic as Tammy or Loretta. Along with her husband Tim Carroll, the crowd at Workplay was entertained by someone that the Nashville music industry brass is not going to be able to ignore much longer.

The show moved seamlessly between honky tonk twang and rock. Tim Carroll also got in on the act rocking the crowd with his on music and covers like his hard driving cover of Randy Travis’ “Diggin Up Bones,” which Cook referred to as an “ironic cover” as he took a slow song and turned it up to “11.” Cook also got the crowd going when she sang Carroll’s “If I could.” “If I could pay all these bills with my guitar then I would pay these bills with some rock and roll,” is a line she sang from that song. Paying bills might not be much of a struggle in the future based the crowd’s reaction. Cook was great with the crowd joking around with good one liners. She got a big laugh when she thanked the folks at Workplay for the “Cheese Log and Carr’s crackers” before the show saying that most places they played didn’t treat her so well.

Cook is also one heck of a clogger. She exchanged her boots for tap shoes and put on a demonstration for the crowd as Carroll accompanied her with his lively guitar work. After the clogging demonstration she launched into the live favorite “Punk Rock Honky Tonk Girl.” Toward the end when she played “Sometimes it Takes Balls to be a woman” she introduced it by saying, “Here is the song that started it all. Let’s hope it doesn’t end it too.” If the crowd at Workplay gets their way, I see no end in sight.

This review also appears on: http://twangville.com/