Tift Merritt - Travelling Alone

Tift Merritt has outdone herself. She just released the best CD of her career. I am not kidding. Bramble Rose was her ground breaking first release. Another Country equaled Bramble Rose, but it didn’t best it. With the release of Travelling Alone, she has set a new standard for herself. The album is truly a masterpiece in every way.She chose Tucker Martine to produce it. His other credits include My Morning Jacket and The Decemberists. Many of the songs are unembellished and simple. However, they have a feel that is evocative of Emmylou Harris’ Wrecking Ball. There is a subtle dreamy echo on many of the songs, and that sound fits the theme of the album. The title track opens up and lays out an interesting premise. Merritt redefines the word alone. Alone is not isolation. Alone happens in relationships and community. It happens when you are among or with others.

“Drifted Apart” is an excellent emotional but subtle duet with Andrew Bird. In this song there is loneliness is a faltering relationship. In truth our significant others have the ability to make us feel completely insignificant. “I am going to lose everything I love, only for a minute just to be alive”, she sings on “Spring”. Later as the song begins to cut loose with some up tempo ethereal blues riffs she says that “Beauty is defiance in the face of death”. It is a powerful metaphor and certainly not how beauty is thought of by the general public.  

In addition to great production, she enlisted an all-star cast of musicians including Rob Burger (Lucinda Williams, Iron & Wine, Rufus Wainwright), John Convertino (Calexico), Eric Heywood (The Jayhawks, Son Volt, Alejandro Escovedo). As for the songwrting, there is only one writer. We can thank Tift Merritt. She wrote them all on her own, but hopefully not alone.

Mary Gauthier - The Foundling

Mary Gauthier has a new album The Foundling. I don't normally recommend albums this dark. It is painful to listen to at times. However, being orphaned and spending years looking for your birth mother is also painful.

This autobiographical project comes from the heart. I also hope it was a healing process for Gauthier. This is not music you will hear at a Tony Robbins seminar. It is just a real story about real hurt that goes on everyday all over the country. Maybe this can help us not to insulate ourselves. Maybe that is part of us that Gauthier wants to reach.

mysppace

Sarah Jarosz appears on Prairie Home Companion

My friend Mark heard Sarah Jarosz on Prairie Home Companion last week and was blown away. This reminded me that I had a promo I was going to post about earlier this Summer. The problem was I got busy and moved and the post was never made. That was crime that needs to be rectified.

Sarah Jarosz is only 18 and she grew up in the Texas Hill Country, home to a songwriter or two I would say. What makes her unique is that she is a great musician as well as a songwriter. She is now studying at a conservatory in the Northeast and released an album this past Summer on Sugar Hill Records that includes a whose who of Modern Bluegrass stars. The album is entitled Song Up in Her Head and guests include Chris Thile, Darrell Scott, Stuart Duncan, Mike Marshall, Tim O'brien and Jerry Douglas along with Samson Grisman the progeny of David Grisman. It bares repeating that this is her debut album. I can't imagine what she will due for her next release.

She is a kindred spirit of Sara Watkins and Abigail Washburn. The future of Bluegrass never looked so good.

Listen to the Audio

Reed KD a good find.

I received this Singer Songwriter album in the mail. Reed KD has been a good find check out Kelly's review over at Twangville.

Reed KD Review

Ryan Bingham and the Dead Horses - Roadhouse Sun

I often wonder if record labels get stressed when an artist tries to top a great debut. After all sustainability can only be proven over time. Then again such anxiety just comes with the territory. Mescalito established Bingham and had critics crowing about his future. Expectations can be a burden, but Roadhouse Sun reveals a Ryan Bingham that is undaunted as his rough hewn voice moves from song to song in a follow up that actually tops its’ predecessor. This shouldn’t be a surprise since he is a former competitor on the Southwestern rodeo circuit. After all, some pencil necked A&R lackey or cynical critic is nothing compared to 8 seconds on the back of bull. In fact, if you are not familiar with Bingham’s story just pick up any Cormac McCarthy novel and you will get the picture. He is not the kind of person to be concerned with the opinions of others. He simply delivers raw emotion and honesty.

Roadhouse Sun is harder driving than Mescalito. In fact, the album title is an allusion to the mood of the album. Bingham is still a troubadour with lyrics that reflect the contemplation of a life spent on the road, yet the music is often ready for Saturday night. It is as if there is a battle going on between home sickness and wanderlust and home front is losing. However, it is precisely this tension that creates the almost perfect balance of Roadhouse Sun. The album is a trip that is both rewarding and fun. So it is time for everyone to forget their expectations of Ryan Bingham because he has arrived.



This review also appears on Twangville

Catie Curtis - Sweet Life

Why are so many Folk Singers sad? They have broken hearts, come from broken homes and live broken lives. To be sure such angst provides the motivation for a lot of great songs but a little happiness is good for the soul too. Modern movies aren’t much different either. How many critically acclaimed movies end with happily ever after? Not many, but not many real lives involve happily ever after either. Then again an escape from reality is a good thing from time to time. So a happy ending wouldn’t hurt every now and then. Well put up your razor blades, untie the noose and please don’t throw yourself in front of the oncoming traffic, Catie Curtis is here with Sweet Life. On this album even in heartbreak Curttis finds reason for optimism. She espouses realism with hope but without being overly sentimental or Cheesy.

Now that you have come in off the ledge, let’s start your therapy. Not the Tony Robbins fake optimism variety, but the Catie Curtis realistic glass is half full variety. First, listen to the the title cut “Sweet Life” and then “Happy.” The titles alone make you feel better and the music will get you tapping your toes. The thing about this album is the lyrics and the music are both encouraging. As you listen to the songs on the album you will often find characters who encounter the same problems you do or worse, but they are still hopeful. Now listen to ”Sing.” I bet you are already starting to feel better. This song is the album’s lynch pin to me. The instrumentation and musicianship go right along with the hopeful upbeat song. In fact, that can be said for the entire album. Now for a lullaby and some much needed rest. The soothing tune “For Now” will take you into dreamspace and you won’t even need to take the Ambien.

Sweet Life is truly an enjoyable album in every way. Plus sometimes a little hope is the perfect prescription.

Pre-Order and sample at Compass Records

Chris Knight - Heart of Stone

Suffice it to say that Chris Knight knows what Nashville has forgotten, that country music is the original narrative of the common man. It grew out of the Great Depression and forged a transcendent bond with its' fans. Country music turned the struggles of rural America into poetry that helped ease the pain of fans for decades. Knight hasn't forgotten the ability of music to sing to the soul of listeners. Probably because he is from coal mining country in Kentucky, which has been in economic upheaval as the rest of America has prospered. Dr. Phil and Deepak Chopkra do not resonate with someone who loses their job or their land or perhaps both. However, the songs on Heart of Stone will speak to them.

There is a certain moral code on this album. Even when times are hard Knight does not glorify people who lose their perspective. Hard times are no excuse to cook meth in your basement ("Hell Ain't Half Full"), or abandon your family ("Heart of Stone"). Conversly he also sings about hope on "Something to Keep Me Going." The power of faith and the fight to keep it is at the heart of "Crooked Road." The latter song is gut wrenching and powerful. In this one song, Knight goes through a lifetime of complex emotions with the central character, who is emerging from the depths with an eye on the future but carrying the scars of the past.

This record also rocks. Knight returned to work with Dan Baird of Georgia Satellites, who produced Pretty Good Guy and The Jealous Kind. In fact, the album comes out of the gate rocking on "Homesick Gypsy." Another great rocker is the song "Another Dollar" that addresses the greed in our society. When people talk about the great songwriters they need to include Chris knight in the conversation. His body of work has earned him that distinction. He certainly sings to the common man in the manner of Cash and Haggard. The album releases on August 19th.



This review also appears on Twangville

Wes Charlton - World on Fire

Every so often I encounter a new artist that really gets me fired up. Since I entered the blogosphere a little over a year ago, my opportunity to discover these upstart talents has been an unexpected benefit. Nashville’s Wes Charlton is one of those artists. All I can say is watch out. This kid is special. His new album World on Fire was recently released on Judy Collins’ Wildflower records. He is a roots influenced singer-songwriter who is a talented lyricist and composer. He is only 24 years but World on Fire is evocative of more established songwriters like a Ryan Adams. His music has Americana undertones but it is equally contemporary.

The album starts out with the slow, brooding but deeply moving “Daytime Blues.” Then it moves to the more rocking angst ridden “Still Here,” which is reflective on a life Charlton seems to feel is beyond his control. In fact, this is a recurring theme he returns to on other songs like “Red Eyes, Blue Lights.” The uncontrollable circumstances of life is a concept that makes the album very relevant to the listener. In fact, sometimes the circumstances of our life are our on doing. “My heart is broken. I paid the cost. I had to get free but all I got was lost.” (“The Wait.”). He also comments on our failed attempts to break free by invoking Icarus and his wax wings on “Change Will Come.” Musically the album is never stale and even gets adventurous when mixing banjo with electric guitar. Wes Charlton is just getting started and I have a feeling we will be hearing more about him in the future.



This review also appears on Twangville

Twangville Review of Griffin House

I promise you Griffin House's album Flying Upside Down will be in my next Top 5. Every song on this CD is a standout song. House is destined to become one of the great songwriters of our time if he keeps this ip

Check out the Twangville review

Listen on his Website

He was also recently featured on NPR's World Cafe.

Dan Israel - Turning

A late release in 2007 that I almost overlooked is Dan Israel's Turning. Israel has been around a while from the Midwest to Austin and back again. He has opened for acts as diverse as Morissey, Spoon and Peter Himmelman. He has won songwriter awards in both Austin and Minneapolis, including Minnesota songwriter of the year in 2006. He has done albums solo and with his backing band The Cultivators. This album is a combination of friends and members of The Cultivators. The friends who join him are a who's who of the Midwest Music scene. Marc Perlman (The Jayhawks), Dave Boquist (Son Volt), John Munson (Semisonic) and Jesse Green (Foo Fighters and Wilco) just to name a few.

All of these different contributors come together under the singular vision of Israel to make a cohesive album. If you like roots rock there is something for you here. The first three songs on the album prove this. The album opens with "Triangle," which showcases Israel's singer-songwriter side. This leads into the lose rocking and rootsy "Counting on You." The next song "Hurt and Love" is an Americana song with a gentle banjo and fiddle inter-play the creates a musical metaphor to the tug of war in relationships that the song addresses. The album's highlight is the power pop anthem "News to Me." Also, the slide guitar work on "Song for Africa" makes that song stand out. In all honesty there is no weak link on this album. It is strong from start to finish.

Check out his MySpace page

This review also appears on Twangville

Mary Gauthier - Between Daylight and Dark

When you think of the great storyteller songwriters certain names come to mind. Names like, Guy Clark, Joe Ely, Robert Earl Keen, Townes Van Zandt, Kris Kristofferson, Jerry Jeff Walker and Chris Knight just to name a few. These people have one thing in common. They are all men. I have news for these gentlemen. The doors to the "old boys club" have been busted down and Mary Gauthier has just ordered a round for the house.

The best story songs, though often tragic, can be redemptive and healing to the listeners as they get lost in the narrative of the song. While the listeners may not directly relate to the extremity of the situations in which the characters on Between Daylight and Dark exist, they can still find plenty of common ground among less extreme but common circumstances in their own life. Sadness and tough circumstances come into contact with everyone at some point. Some people have more than their fair share of heartache.

The brokenness that scatters the landscape of this album is offset by characters who maintain some form dignity in their circumstances. Out of their sadness hope begins to grow. For example, "Last of the Hobo Kings" sings of the life of a man who was part of the train hopping sub-culture that no longer exists. Gauthier seems to suggest that the end of the Hobo era points to a greater loss of spirit and adventure in our country. She points to the wisdom that the hobo gained in his travels by saying he "knew how his nation was doing by the size of a sidewalk cigarette butt." "Thanksgiving" follows a grandmother taking her grandchild to see her father in prison on Thanksgiving. Growth is seen in "I Ain't Leavin." In this song the main character decides to stay and fight for a relationship when previously she would run away. "Broken on the inside is what I used to say. Then I'd pack my bags raise a white flag and drive away. I thought that's what made me strong, but I was young and I was wrong."

Every song on this Lost Highway release has similar impact. She wrote or co-wrote all the songs on the album. My favorite collaboration on the album is "Snakebit," which she co-wrote with Hayes Carll. Joe Henry produced the album and kept things simple and understated in a way that lets Gauthier shine in a way that makes this the best release of her career.

Listen to the Full Album Stream

This review also appears on: Twangville

Highlights of Upcoming Releases

Sept. 11th :

Joe Henry - Civilians

Supposedly more stripped down than his previous efforts this album I am hearing is an instant classic. Scott Register of Reg's Coffeehouse and the Coalitoin of Indepndent Music Stores says it is incredible and played great song off of it this morning on his show.

http://www.joehenrylovesyoumadly.com/listen.php

Oakley Hall - I Will Follow You

One of my favorite releases back in early 2006 was their album Second Guessing. This is their debut on Merge Records. It was produced by Peter Katis (The National, Interpol). Stream it on the Merge records site.

http://www.mergerecords.com/index.php

Sept. 18th
Mary Gauthier - Between Daylight and Dark

Gauthier just keeps getting better I am sure this one will not disappoint.

Jim Lauderdale - Bluegrass Diaries

Supposedly Lauderdale is going to release 3 albums in the next year. This is the first of the three. It was debuted on XM14 Bluegrass Junction to rave reviews. 2008 already looks like a good year.

Stream blue Mule Below:

http://www.yeproc.com/upload/media/view_media.php?id=499

Michael McDermott & Pieta Brown upcoming releases

Well Folks, I am back from another round of R&R and I wanted to let you know about One Little Indian Records out of San Francisco, which has two upcoming Singer-songwriter releases that I feel are worth noting. The first on August 28th is Michael McDermott's Noise from Words. McDermott is a Chicago based Songwriter. Musically, the album is fairly standard singer-songwriter fare. Lyrically McDermoot is a poetic and powerful voice. His songs are candid and deal with regret ("Mess of Things") but also redemption ("Tread Lightly"). In "No Words" he expresses hope when he declares "The night has come undone and the world has just begun" He also has a famous fan in writer Stephen King who calls McDermott "the greatest undiscovered rock & roll talent of the last 20 years."

Download the free MP3 below:

http//www.onelittleindian-us.com/freemp3/mcdermott_freemp3/

For my local Birmingham readers Pieta Brown is even more interesting. Her new album Remember the Sun releases on September 25th. She is the daughter of well known Grammy nominated folk singer Greg Brown. After being born in Iowa she and her mother moved here to Birmingham. While growing up in Birmingham Pieta began writing poetry and composing songs for the piano. Her exposure to traditional folk music shows through. However, her gift for composition is really shown with each successive listen to the album. What at first seems very simple is beautifully composed and lands her somewhere between traditional folk and more contemporary female songwriters. The music is rooted in tradition while exploring new boundaries. She is totally mesmerizing!

Download the free MP3 below:

http://www.onelittleindian-us.com/freemp3/pieta_freemp3b/

Under the Radar: Elliot Randall

Elliot Randall is gaining notoriety on the West Coast and is becoming a popular act in the San Francisco Bay area. He is also getting love from the California press. Recently, he was featured on legendary Bay area radio station KFOG’s local scene and is going to be appearing at the station’s local scene kickoff party on August 3rd. The national exposure has not come yet. However, he was recently featured on an AmericanaRoots podcast, which is an AWT favorite. Hopefully more exposure like this will come for Randall. He certainly deserves it. Based on my correspondence with Elliot he seems like a heck of a nice guy and I am certainly rooting for him.

Though he lives in the Bay Area, he is originally from Charleston, South Carolina and told me he spent most of his time growing up in the Carolinas. His Southern roots really show as he mixes Roots Rock with a more Classic Rock and Roll sound. He is an excellent songwriter whose musical style has the ability to appeal to a wide audience. On his new album Take the Fall Randall plays mid-tempo songs like “How to Grow Old” as well as full out rockers like “Second Time Around.” Both musically and lyrically Randall’s music is very accessible to the listener. All of the songs on the album show the various influences he has. Whether the listener’s preferences lean more toward Rock or Roots or Singer-Songwriter, this album will satisfy.

MP3 Links Below:

http://www.fileden.com/files/2007/5/29/1124526/01%20How%20To%20Get%20Old.m4a

http://www.fileden.com/files/2007/5/29/1124526/03%20Second%20Time%20Around.m4a

This review also appears on: http://twangville.com

King Wilkie vs. The Avett Brothers

The new King Wilkie album Low Country Suite has the band adding other influences to their traditional Bluegrass with excellent results. Compared to the Avett Brothers, who made a similar move with Emotionalisdm, I feel the King Wilkie album is far superior. I admit that I am on an island when it comes to the Avett Brothers new effort. Every magazine website and blog I have seen gushed with praise for Emotionalism. I seem to be the lone dissenter. However, I feel the Avett Brothers lost their edge on the album. The edgy Bluegrass they played became pop with no attitude on emotionalism. The album sounded like a knock off of early Beatles records. I expected them to break out in a "Love Me Do" cover at anytime.

How could the Avetts have expanded their music and made it work? Listen to King Wilkie's Low Country Suite and you have your answer. A likewise edgy bluegrass band, they went in some new direction without losing their identity. Somehow they have managed to cross the American songwriting landscape in a way that was honest but doesn't try to deny where they started. It is not an easy thing to do. But King Wilkie succeeded where the Avetts did not.

Click here to take a listen:
http://kingwilkie.com/flash/

Check out this YouTube clip of Wrecking Ball:

Kim Richey - Chinese Boxes

It has been almost five years since Kim Richey released a new album. Clocking in at 33 minutes, Chinese Boxes is worth the wait. The short length of the album is appropriate for the conceptual simplicity of the lyrics. The imagery Richey uses in her lyrics allow her to provide the listener a conceptual framework that doesn't require much narrative. On the title cut of the album she uses "Chinese Boxes" (empty boxes inside of bigger empty boxes) to signify a relationship with someone that seems to be enduring but is really not substantial. This type of imagery is used over and over again on the album often to poignantly describe relationships that aren't what they appear to be.

This lyrical minimalism doesn't apply to the instrumentation which is beautiful, textured and draws the listener to the word pictures she is framing. Richey wrote or co-wrote all the songs on the album, including "Drift" which she penned with Mindy Smith. The earlier songs on the album are slower in tempo setting the atmosphere, while the second half of the album picks up the tempo a bit. No matter the tempo of the song the results are the same. The album will be released July 10th by Vanguard. Don't miss it!

See the link be low to sample 2 songs off of the album.

http://www.vanguardrecords.com/listen.asp?idArtist=45

Justin Trawick: Live 9:30 Club DC

My friend Tom, who runs AWT's favorite blog Twangville, which I write for under the name "CrackerSoul," turned me on to Justin Trawick. Tom and I went to see him at the 9:30 Club friday night, June 29th. It was a great show. The 9:30 Club is also a great venue. Trawick is a real up and comer who has already developed a loyal following in the DC area. Here is a link to the Twangville review and a link to video Tom shot during the show:

http://twangville.com/580/justin-trawick-rocks-the-930-club/

Best of 2007

This is My updated Best of 2007. Wilco is still #1 The artists with the highest debuts are White Stripes and Wrinkle Neck Mules at 3 and 4 respectively. The Hackensaw Boys and JohnDoe also debuted in the top 10. While Paul McCartney and Sarah Borges entered just outside the top 10. This list does not inlcude any albums released on June 26th. So Ryan Adams and Kelly Willis will have to wait until next month. Also, as usual, I did some rearranging based on further reflection. Enjoy the list and feel free to tell me how you agree or disagree. Also, make no hesitation to trash me or my intelligence in any way you see fit. I'm used to it.

1) Wilco - "Sky Blue Sky"
2) Patty Griffin - "Children Running Through"
3) White Stripes - "Icky Thump"
4) Wrinkle Neck Mules - "Wicks Have Met"
5) Assembly of Dust - "Recollection"
6) Hackensaw Boys - "Look Out"
7) The Broken West - "I Can't Go on I'll Go on"
8) )The Shins - "Wincing the Night Away"
9) Son Volt - "The Search"
10) John Doe - "A year in the Wilderness"
11) Paul McCartney - " Memory Almost Full"
12) Sarah Borges and the Broken Singles - "Diamonds in the Dark"
13) Willy Mason - "If the Ocean Gets Rough"
14) Dale Watson - "From the Cradle to the Grave"
15) Modest Mouse - "We Were Dead Before he Ship Ever Sank"
16) Feist - "The Reminder"
17) Charlie Louvin - "Charlie Louvin"
18) Infamous Stringdusters - "Fork in the Road"
19) Nathan - "Key Principles"
20) Olav Larsen and the Alabama Rodeo Stars - "Loves' Com to Town"
21) Adam Hood - "Different Groove"
22) Elizabeth Cook - "Balls"
23) Rocky Votolato - "The Brag and Cuss"
24) The Basement - "Illicit Hugs and Playground Thugs"
25) The Greencards - "Viridian"
26) Pela - "Anytown Graffiti"
27) Joe Ely - "Happy Song from Rattlesnake Gulch"
28) Cadillac Sky - "Blind Man Walking"
29) Martin Sexton - "Seeds"
30) Two Cow Garage - "Three"
31) Hoots & Hellmouth- "Hoots & Hellmouth
32) Norah Jones - "Not Too Late"
33) Bill Kirchen - "Hammer of the Honky Tonk Gods"
34) Adrienne Young - "Room to Gow"
35) The Dexateens - "Hardwire Healing"

Brett Dennen

I’ve reached a significant conclusion in my life. I need to quit my day job. What made me realize that was that even though Bret Dennen’s album So Much More was released in late 2006, I am just now getting around to listening to it as he is releasing his follow up EP More So Much More. So my creditors are just going to have to understand I have to spend more time listening to music. The album is lyrically poetic and spiritually reflective. Musically, Dennen is soulful in way very similar to Martin Sexton. The mood of the album balances his personal and political pessimism with a refreshing hopefulness. Sometimes it is almost as if Dennen sees opportunity in his struggles as he muses in the title cut, “I’d rather be stuck up in a tree than tied to it.”

The album also has a couple of unusual songs, “Darlin’ Do Not Fear” and “When You Feel It,” which have backbeats with a Caribbean Island music influence to them. In particular, “When You Feel It” has a resophonic guitar in the background as Dennen sings about his “Creole girl.” The hopefulness of the album is shown best as it exits with “Someday.” The keyboards on the song have a gospel feel as Dennen affirms “Someday in a cloud of gray I will make my great escape. My salvation is ahead of me. I can feel it calling me. I know that I will be redeemed.” Let’s hope we can all exit that way. Also feel free to send any donations you would like to make to the “Let Chip Quit His Day Job Fund.”
This review also appeared on: http://twangville.com