There has been an early flood of great releases in 2011. Below are a few that should not get lost in the shuffle:
Robyn Ludwick - Out of These Blues: Produced by Gurf Morlix, This Rock and Blues album has an All-Star supporting cast. She is the younger sister of Bruce and Charlie Robison. She provides a gut punch of Blues and Rock that should not be overlooked. Download on CD Baby.
Exene Cervenka - The Excitement Machine: See my Review on Twangville.
Brian Wright - House on Fire: This Sugar Hill release features excellent songwriting. Wright even plays all of the instruments himself. An all around Talent! Order on Amazon.
The Only Sons - American Stranger: Country Rock from a band of Middle Tennessee State University students. Their influences are varied, but their future is bright. Website.
Bennet Brier - Scorpio and Me: An Austin Native that delivers raw and, at times, emotionally dark songwriting. The album is a deep soul-searching experience. Website.
Reviews, thoughts and general opinions on an eclectic mix of music. Including but not limted to Americana, Roots Rock, Alt-Country, Alternative, Indie Rock, Indie Pop, Blues, Bluegrass and Jazz.
Wednesday, May 18, 2011
Monday, May 9, 2011
Tara Nevins - Wood and Stone

When we last saw Tara Nevins, do her own thing, outside of the Donna the Buffalo "herd", it was an award winning Bluegrass album, but it has been over 10 years since Mule to Ride. On her new release, Wood and Stone, she showcases a broader stroke of the Americana landscape. On the surface it invokes a similar territory travelled by Donna, but on her current solo project Nevins puts aside the jams. Instead she delivers a Country leaning effort that conjures up a time before the Opry. An era just before Nudie began making his sequined suits for Little Jimmy Dickens and Hank Williams (and a long time before he made the infamous gold lame' suit for Elvis). It is the music sung by and to the rural poor, who lived on the margins of the Post-Depression era economic recovery. People whose lives were defined by their broken relationships.
The earthy tunes on Wood and Stone are captivating. Nevins takes the past and utilizes drums and a steel guitar, to ensure the album is still contemporary. However, the real bridge between past and present is a voice, so singular and beautiful, that it must be heard to be appreciated. Ask any one of the "herd" who has followed her for years, and they will back me up. It has been too long since we heard from Tara Nevins as an individual artist, but the wait was worth it.
Labels:
Donna the Buffalo,
Music Reviews,
Tara Nevins
Sunday, April 10, 2011
Wednesday, February 23, 2011
Lucinda Williams - Blessed
Some albums have lyrics with an emotional impact, but more often than not, the music impacts me more than the lyrics. So it is always special to find an album that does both.
Then there is Lucinda Williams' new project Blessed , which has great musicianship delivering a Soulful Blues with deep roots. Even More impressively, the lyrics not only affect the listener, they rip their heart open, exposing the deepest part of the soul and speak directly to it. This is not an exaggeration in the slightest, and your first listen to Blessed will prove it. The album opens with "Convince Me", which builds from a quiet question to a Rockin' feeling of hope. The title track demonstrates, in a dramatic way, that we are all Blessed everyday. However, we do not look for blessings, so we miss them as they move right in front of us. Indeed the theme of the album seems to be, that in always searching for more, we discount what we already have. We tend to long for something illusory, ignoring the good in our current reality. When we move on, we are just running away. Running never fulfills, but Williams doesn't pretend to know what does fulfill. She simply provides reflection for the journey. It is odd for an Album to be full of pain, without leading to hopelessness.
The producer of Blessed is Grammy Award-winning Don Was. Was co-produced the project with Eric Liljestrand and Tom Overby. Blessed features special guests Rami Jaffe on keyboards, Matthew Sweet on vocals Greg Leisz and Elvis Costello on guitar. In fact, Costello's guitar work on "Seeing Black" is amazing.
Buy the album on March 1st and see for yourself.
Then there is Lucinda Williams' new project Blessed , which has great musicianship delivering a Soulful Blues with deep roots. Even More impressively, the lyrics not only affect the listener, they rip their heart open, exposing the deepest part of the soul and speak directly to it. This is not an exaggeration in the slightest, and your first listen to Blessed will prove it. The album opens with "Convince Me", which builds from a quiet question to a Rockin' feeling of hope. The title track demonstrates, in a dramatic way, that we are all Blessed everyday. However, we do not look for blessings, so we miss them as they move right in front of us. Indeed the theme of the album seems to be, that in always searching for more, we discount what we already have. We tend to long for something illusory, ignoring the good in our current reality. When we move on, we are just running away. Running never fulfills, but Williams doesn't pretend to know what does fulfill. She simply provides reflection for the journey. It is odd for an Album to be full of pain, without leading to hopelessness.
The producer of Blessed is Grammy Award-winning Don Was. Was co-produced the project with Eric Liljestrand and Tom Overby. Blessed features special guests Rami Jaffe on keyboards, Matthew Sweet on vocals Greg Leisz and Elvis Costello on guitar. In fact, Costello's guitar work on "Seeing Black" is amazing.
Buy the album on March 1st and see for yourself.
Labels:
Elvis Costello,
Lucinda Williams,
matthew Sweet,
Music Review
Saturday, February 12, 2011
Iron & Wine - first entry out of the gate for Album of the Year
In music like politics early front runners can gain an adavantage. Using the political analogy, I believe Iron & Wine has just won the The Iowa Caucus. Ironically, some loyal fans are rebelling. It seems they never wanted Sam Beam to move away from the introverted, etheral sound, to which they became accustomed.
On Kiss Each Other Clean we discover that Beam's voice has a range that he has never unleashed. He hasn't lost the muted raspy tone of previous efforts. He just shows so much more. The melodies aren't hidden on this album. While it may be a new direction, it moves with the brush strokes of a diverse pallet. From the first listen, it is clear that Kiss Each Other Clean will be a career defining album for Iron & Wine.
On Kiss Each Other Clean we discover that Beam's voice has a range that he has never unleashed. He hasn't lost the muted raspy tone of previous efforts. He just shows so much more. The melodies aren't hidden on this album. While it may be a new direction, it moves with the brush strokes of a diverse pallet. From the first listen, it is clear that Kiss Each Other Clean will be a career defining album for Iron & Wine.
Labels:
Iron and Wine,
Kiss Each Other Clean,
Music Reviews,
Sam Beam
Friday, February 4, 2011
Susan James - Highways, Ghosts, Hearts and Home
Susan James has gained a lot of well known fans over the last few years. Bob Weir and Rob Wassrerman heard her, and asked her to open for Ratdog. She has also opened for for Son Volt, Rufus Wainright, Richard Thompson and Lindsey Buckingham among others. She has been playing guitar since she was eight. She writes all of her own songs, and with the release of Highways, Ghosts, Hearts and Home, she can now add producer to an expanding list of talents. Much of the album is straightforward country, but she also integrates Ccontemporary Folk, often with a sort of Hippie jam virtuosity. The songs aren't eight minute jams, but the vibe is still the base of certain songs. The guest list is impressive. Three members of I See Hawks in LA play on the album. Gabe Witcher (Punch Brothers) plays fiddle and Danny McGough (Social Distortion) is on the Hammond B3 organ..
The lyrics she employs on Highways have basic themes, but the musical arrangement is more complex and layered. James' smooth voice wraps this project into a cohesive package. No doubt a large dose of critical acclaim will follow. The album will be released on February 15th, in stores and online.
Labels:
I See Hawks in LA,
Music Reviews,
Punch Brothers,
Ratdog,
Susan James
Sunday, December 26, 2010
Best of 2010
In most years, the best part of undertaking the task of creating a best of list, is highlighting the emerging artists that were unearthed. That was not the case in 2010. It was a year of the tried and true. It was like the a pair of worn out jeans you can't replace, because they are perfectly broken in and comfortable.
There were some good finds, like The Constellations and Phosphorescent. While Austin Collins is not a new name, he firmly established himself with the infectious "Wrong Control". However, my list for 2010 is primarily populated with the familiar, like Old 97's, Patty Griffin and Alejandro Escovedo. The album of the year is Robert Plant's "Band of Joy
1 Robert Plant-Band of Joy
2 Old 97's-The Grand Theater Vol. One
3 Patty Griffin-Downtown Church
4 Austin Collins-Wrong Control
5 Paul Thorn-Pimps & Preachers
7 Alejandro Escovedo-Street Songs of Love
8 Drive-By Truckers-The Big To-Do
9 Justin Townes Earle-Harlem River Blues
10 Crooked Still-Some Strange Country
11 Steeldrivers-Reckless Side of Me
12 Two Cow Garage-Sweet Saint Me
13 Phosphorescent-Here’s to Taking it Easy
14 Constellations-Southern Gothic
15 Dierks Bentley-Up On The Ridge
16 Marty Stuart-Studio B Sessions
17 Eleven Hundred Springs-This Crazy Life
18 Reckless Kelly-Somewhere In Time
19 John Hiatt-The Open Road
20 Jason & The Scorchers-Halcyon Times
21 Chattam County Line-Wildwood
22 Grace Potter & the Nocturnals-Grace Potter & the Nocturnals
23 Bobby Bare Jr.-A Storm, A Tree, My Mother's Head
24 Elliot Randall & The Deadmen-Caffeine & Gasoline
25 Infamous Stringdusters-Things That Fly
26 Jesse Malin & the St. Mark's Social-Love It To Life
27 The Gaslight Anthem-American Slang
28 Ray LaMontagne & The Pariah Dogs-God Willin' & The Creek Don't Rise
29 Pat Anderson -Magnolia Road
30 Railroad Earth-Railroad Earth
31 Ray Wylie Hubbard-A Enlightenment B Endarkenment Hint There Is No C
32 Carrie Rodriguez-Love And Circumstance
33 Dale Watson-Carryin' On
34 Honey Child-Nearer the Earth
35 The Hold Steady-Heaven is Wherever
35 Tim O'Brien-Chicken & Egg
37 Elizabeth Cook-Welder
38 Cherryholmes-IV
39 Willie Nelson-Country Music
40 Los Lobos-Tin Can Trust
41 Steel Wheels-Red Wing
42 Ted Leo & the Pharmacists-The Brutalist Bricks
43 Yarn-Come On In
44 Merle Haggard-I Am What I Am
45 Jim Lauderdale-Patchwork River
46 Tift Merritt-See You On The Moon
47 Great American Taxi -Reckless Habits
48 Jesse Dayton-One for the Dance Halls
49 Pete Yorn-Pete Yorn
50 Kasey Anderson-Nowhere nights
Tuesday, December 7, 2010
Amos Lee- Mission Bell
On January 25th, Amos Lee is going to release Mission Bell on Blue Note Records. Mark your calendars, this early January release will remain on many best of lists by the end of 2011. Characteristically, Lee's soulful voice is the focal point of the album. However, the sound of Mission Bell exhibits more texture than his previous releases. The project is produced by Joey Burns, from Calexico. His imprints are seen on every song. Mission Bell has a compelling echo, that adds a new dimension to Amos Lee's sound, and perfectly matches the lyrical theme of each track.
It is an album about searching. The search is not temporal. Instead, the search is a cerebral journey. "Windows are Rolled Down" takes place at the interseciton of lonliness and renewal. The dichotomy of despair and hope pull the listener in two different directions. Conversely "Flower" is infused with a hope that is more optimistic, in fact it is a mature form of Naivete. Some songs, like "Stay With Me" are more atmospheric, but the soulful side of Lee is not lost or overshadowed on "Mission Bell", as shown by the song "Learned a Lot". However, an album with this much texture is perfect for guests like Sam Beam (Iron and Wine), Lucinda Williams and Pieta Brown. Willie Nelson also appears on the final track to make the exit from Mission Bell equal to its' entrance.
It is an album about searching. The search is not temporal. Instead, the search is a cerebral journey. "Windows are Rolled Down" takes place at the interseciton of lonliness and renewal. The dichotomy of despair and hope pull the listener in two different directions. Conversely "Flower" is infused with a hope that is more optimistic, in fact it is a mature form of Naivete. Some songs, like "Stay With Me" are more atmospheric, but the soulful side of Lee is not lost or overshadowed on "Mission Bell", as shown by the song "Learned a Lot". However, an album with this much texture is perfect for guests like Sam Beam (Iron and Wine), Lucinda Williams and Pieta Brown. Willie Nelson also appears on the final track to make the exit from Mission Bell equal to its' entrance.
Labels:
Amos Lee,
Calexico,
Iron and Wine,
Lucinda Williams,
Music Reviews,
Willie Nelson
Thursday, November 18, 2010
Paul Thorn - Pimps & Preachers
You can always count on Paul Thorn to provide a picture of life in the margins. His new effort Pimps and Preachers paints many different portraits. There are catchy singer-songwriter story songs like the opener “You’re Not the Only One”, which shows that the problems and trials of life are not unique to the family going through them. They are in fact prevalent in their own neighborhood. The title cut is a roots rocker about someone raised with two contradictory influences. However, the song reveals that these two mentors are really two sides of the same coin. “Love Scar” demonstrates the recklessness of getting a tattoo with your lovers name on it. It’s not hard to guess how the story ends. Thorn also delivers some Electric Blues on this project that has the best musicianship on any of his recordings to date. Any many ways, Pimps and Preachers is a career defining album. The same brilliance exhibited on earlier albums like Mission Temple Fireworks Stand is present here. However, this new effort has a more diverse pallet. At the same time Thorn’s characteristic dry cynicism hasn’t been lost. “I don’t Like Half the Folk I Love” is a prime example of his dry wit. For those of us who are already Paul Thorn fans, Pimps and Preachers gives us everything we expect and much more.
Wednesday, October 13, 2010
Mike Farris - The Night Cumberland Came Alive
I'm not sure why the May floods that hit Nashville in May of this year did not seem to grasp the nation's attention like other recent natural disasters did. There was a lot of press attention, but it seems that the lack of hurricane force winds made the story less captivating. However, the people who lost homes and loved ones in the flood were as devastated as Katrina victims.Mike Farris (The former front man of Screamin' Cheetah Wheelies) decided he would rectify the situation with a benefit EP. The Night Cumberland Came Alive, is a Gospel recording done at the Downtown Presbyterian Church. This historic Church is the same venue Patty Griffin recorded her recent Gospel project. Farris is no stranger to Gospel, having won a Dove award for his most recent album Shout! Proceeds will be used to help the flood victims.
Labels:
Mike Farris,
Music Reviews,
Old Crow Medicine Show,
Sam Bush
Thursday, September 23, 2010
Jon Langford - Old Devils
Is it possible for the leader of bands like the Waco Brothers andhe Mekons to become introspective, and produce an album that results in something beyond the live music bar bash that characterizes every Waco Brothers show? The simple answer is yes. Langford is also a very accomplished outsider artist, maybe his visual art is bleeding into his songwriting.
The Rootsy Punk is still there, but there is also an introspective biography embedded in the album. There are autobiographical tracks and stories of other characters, who seem to exhibit traits and faults that he sees in himself. Dare I say the album is Folk with Pumk undertones. That description seems as oxymoronic as James Taylor spitting on his audience in a Sid Vicious type rage. In reality, that is what Jon Langford's audience is presented with on Old Devils
Why are the words so poignant this time around? Only Langford can answer that for himself. However, no matter who you are or what your vocation, there comes a time when you must mature from being an innovator to a mentor. This is an uncomfortable task for some people. Langford seems to be straddling the fence himself. If so, that is a shame because Jon Langford is the type of multi-faceted creative genius that young artists should seek out. Maybe we could start a petition to get him on the next "Dancing with the Stars." In fact, what could get him more recognition than doing the tango while grabbing the ass of some forgotten actress. If nothing else, Jon Langford could make reality TV worth watching.
Jon Langford Website
The Rootsy Punk is still there, but there is also an introspective biography embedded in the album. There are autobiographical tracks and stories of other characters, who seem to exhibit traits and faults that he sees in himself. Dare I say the album is Folk with Pumk undertones. That description seems as oxymoronic as James Taylor spitting on his audience in a Sid Vicious type rage. In reality, that is what Jon Langford's audience is presented with on Old Devils
Why are the words so poignant this time around? Only Langford can answer that for himself. However, no matter who you are or what your vocation, there comes a time when you must mature from being an innovator to a mentor. This is an uncomfortable task for some people. Langford seems to be straddling the fence himself. If so, that is a shame because Jon Langford is the type of multi-faceted creative genius that young artists should seek out. Maybe we could start a petition to get him on the next "Dancing with the Stars." In fact, what could get him more recognition than doing the tango while grabbing the ass of some forgotten actress. If nothing else, Jon Langford could make reality TV worth watching.
Jon Langford Website
Labels:
Jon Langford,
Music Reviews,
The Mekons,
Waco Brothers
Tuesday, September 14, 2010
Marty Stuart - Ghost Train , The Studio B Sessions
The new Marty Stuart release, Ghost Train , The Studio B Sessions, has everything a real Country album should have. The album was recorded at the famed RCA Studio B in Nashville. The studio was designed in the 50's by Chet Atkins and quickly became the Country Capital's premier recording venue. In fact, It would be easier to make a list of the "Nashville Sound" era artists that did not record there than a list of the ones that did. Marty Stuart has always played the role of being a bridge from the past to the present. He works hard to keep the traditional styles of Americana vibrant, even in the current Idol winner tuned hillbilly world of Country Music. Along the way he has been able to buck the trend and record some big hits of his own.On Ghost Train he decided to include as many of the styles and themes of traditional Country as possible. Of course there is the unmistakable influence of his former father-in-law, Johnny Cash. In fact, the executioner's tale, "Hangman", was co-written with Cash shortly before the Man in Black passed away. Ghost Train begins with the outlaw Honky-Tonk of "Branded", then follows it up with a Rockabilly number, "Country Boy Rock". The most emotional song is the heheartbreak ballad "Driftin' Apart". When Stuart sings "I'm a stranger in your world now and it's driving me out of my mind", you feel the pain of a love torn apart over time. Along the way he even works in a Bluegrass tune and themes such as the plight of the working man. It is as if Stuart is on a missionary's journey to preserve the history of Americana Music. Hopefully, he wins a lot of converts along the way.
Check out Stuarts newest venture:
The TV network RFD-TV
Labels:
Americana,
Country,
Johnny Cash,
Marty Stuart,
RFDTV,
Roots Rock
Thursday, July 29, 2010
Hayshaker
I have to admit bias on this one. When a band can have lyrics like, "Second thoughts have occurred. I feel like a gigantic turd. Walking barefoot like a hooker at 3 in the morning," I can't give it a bad review. The truth is these boys from Georgia have unleashed a great album. The band is unsigned and primarily a local phenomenon. I have a feeling that is all about to change. In spite of the lyrics above (from the song "Swamp County") this is no novelty act. Hayshaker is for real.
They mix a sound that is at times Country, but with a twist. They know how to use power chord licks with abandon. Lead singer CC Rider has a voice that sounds as if it should be singing Indie Rock instead of Roots Rock. Female vocalist Laurie Rider rounds out the bands sound, which is hard to categorize. The best way to describe Hayshaker is "Kick-Ass" Country. The steel guitar haunts the music of the album, which is also a part of their uniqueness. Lyrically the band is at times humorous, but they are more often deep and impactful. They have a talent of mixing sarcasm with truth. It is time to jump on the bandwagon while it still has room. I have a feeling there will be a second deck on the bandwagon before too long.
MySpace
They mix a sound that is at times Country, but with a twist. They know how to use power chord licks with abandon. Lead singer CC Rider has a voice that sounds as if it should be singing Indie Rock instead of Roots Rock. Female vocalist Laurie Rider rounds out the bands sound, which is hard to categorize. The best way to describe Hayshaker is "Kick-Ass" Country. The steel guitar haunts the music of the album, which is also a part of their uniqueness. Lyrically the band is at times humorous, but they are more often deep and impactful. They have a talent of mixing sarcasm with truth. It is time to jump on the bandwagon while it still has room. I have a feeling there will be a second deck on the bandwagon before too long.
MySpace
Monday, July 26, 2010
Friday, July 23, 2010
Darrel Scott In Robert Plant's New Super Group
Acclaimed musician and songwriter Darrell Scott has been tapped to join Robert Plant’s new project, Band of Joy, whose tour begins tomorrow in Memphis, TN. The super group, which includes Plant and Scott alongside Patty Griffin, Buddy Miller, Byron House and Marco Giovino, will embark on a series of tour dates this summer. An album featuring this line-up will be released later this year on Rounder Records.
How about that for a lineup. Can't wait for the Album. If you have heard his latest release A crooked Road you know why he is part of this all-star lineup.
Labels:
Band of Joy,
Buddy Miller,
Darrell Scott,
Patty Griffin,
Robert Plant
Wednesday, July 21, 2010
Donna Ulisse to be featured on Sirius XM
Bluegrass singer Donna Ulisse is the featured artist this week on the Sirius XM show Track by Track hosted by Kyle Cantrell on the Bluegrass Junction channel. Ulisse will be chatting about her current release “Holy Waters”, a bluegrass gospel collection of thirteen songs of which she wrote or co-wrote twelve. Ulisse has often referred to the recording as her own “soul journey”.
There are two remaining dates to catch her. I am apologetically late on this news.
Sunday, July 25, 2010 /11 :00 a.m. eastern time
Wednesday, July 28, 2010 /midnight eastern time.
Thursday, July 1, 2010
Twistable Turnable Man - Shel Silverstein Tribute
I must admit that I am sick of tribute albums. There is noone left it seems that hasn't had a tribute album done in there name. In fact, I am waiting for a tribute album to tribute albums. Better yet, I would love to see a tribute album to a band that hasn't even formed yet. Conceptually, every possible interpretation to pay tribute to an artists's work has been done.
Now that the above sermon is over it is time to be a hypocrite. Conceptually, Twistable Turnable Man is notthing original. However, it was done by Bobby Bare Jr. who knew and loved Silverstein well. More so, the freindhip between his father and Silverstein goes back to the early 60's. It is this generational perspective of Silverstein's songwriting that makes this album work. Both old and new artists contribute to the album. Further, if anyone is deserving of homage it is Shel Silverstein. He was a songwriter, cartoonist and poet for Playboy and paradoxically a noted writer of Children's books.
Who better than icons like Ray Price, Kris Kristofferson and John Prine could be included on this album. In fact, Price has recorded Silverstien's songs a couple of times in his career. Noone collaborated with hime like Bobby Bare, and his version of the "The Living Legend" may be the best song of the entire project.
Now we move from the legendary to the more current younger artists. Bobby Bare Jr. made some good choices for this group. after all a Country record is not a Country record without My Morning Jacket (WTF)! Actually, they have a heavy roots music influence and their opener "Lullabies, Legends and Lies" competes with Bobby Bare for the best song on the album. However, songs by Andrew Bird, Dr. Dog, Sarah Jarosz and Black Francis provide interpretations that make the songs take on a new life. In between the new and the old are contributions by Lucinda Williams and Nanci Griffith. The campy song "Boy Named Sue" originally recorded by Johnny Cash, could only have been recorded by one contemporary artist. Bare Jr. knew this and chose Todd Snider. Snider does a version of the song that would make the Man in Black himself proud.
For more on Silverstein see the source of all knowledge: Wikipedia
Tuesday, June 1, 2010
Truth and Salvage Co. - Full album stream
Truth $ Salvage company have just released their debut album, produced by Chris Robinson of Black Crowes. Their influences are obvious, but they are combined in a way that preserves originality. You will find Classic Rock and Roll, Southern Rock and Outlaw Country. They have four singers who contribute.
RIYL if you like Band of Heathens
Labels:
Band of Heathens,
Black Crowes,
Music Streams
Thursday, May 27, 2010
Susan Cowsill - Lighthouse
From the beginning track "Dragonfly," Susan Cowsill recalls days when she was a kid and youth was full of hope. This uptempo rock song sets a positive mood for the album. Cowsill seems to have recaptures the innocence of youth on lighthouse. The irony of all of this, is the fact her life has recently been full of tragedy. First the New Orleans native was dispersed by Katrina. Then her two brothers and former musical partners Bill and Barry Cowsill died.
You have to wonder what has driven her to emerge from such a situation with so much hope. When she sings, "I never break but I bend and I'm gonna live it to the sweet bitter end" you can feel she means in the music. On lighthouse her hope is fueled by a strong will and determination. She is not buying into naive hope, but it is a real hope rebirthed from tragedy. Instead of turning bitter she is ready to put the top down on the convertible and drive into the future.
Friday, May 14, 2010
Mary Gauthier - The Foundling
Mary Gauthier has a new album The Foundling. I don't normally recommend albums this dark. It is painful to listen to at times. However, being orphaned and spending years looking for your birth mother is also painful.
This autobiographical project comes from the heart. I also hope it was a healing process for Gauthier. This is not music you will hear at a Tony Robbins seminar. It is just a real story about real hurt that goes on everyday all over the country. Maybe this can help us not to insulate ourselves. Maybe that is part of us that Gauthier wants to reach.
mysppace
Friday, April 30, 2010
Alejandro Escovedo - Street Songs of Love.
Alejandro Escovedo will be releasing Street Songs of Love on June 29th, which is the day after my birthday. I think he planned it that way. At least that's my story and I'm sticking to it. What better birthday present is there than a new Alejandro release. There are no secrets here. It is pretty obvious what the songs are about, but as would be expected Escovedo takes an unconventional approach to the subject. Sometimes the approach is poignant and sometimes alarming but it is done Alejandro style. This record has at its' core R&B undertones yet still gets edgy and showcases his punk roots at times.Check out a live cut:
Friday, April 23, 2010
Friday, April 16, 2010
Crooked Still / Infamous Stringdusters

Two of the best young Newgrass groups have new albums.
Crooked Still - will release Some Strange Country on May 18th on Signature Sounds. They are certainly a genre bending groups always, but they rise to a new level on this. The album is beautifully arranged,lyrically infused with both spiritual and earthly wisdom, and as always the musicianship demands accolades. Heavyweights Tim O'brien and Ricky Skaggs lend a hand. In fact, "I'm Troubled" which features O'brien may be the best track. Crooked Still is no longer emerging. With the release of Some Strange Country hey have arrived.
The infamous Stringdusters - Will release Things that Fly on Tuesday. On this release they move even more toward the progressive side of the Bluegrass spectrum. The breadth of their musical palate is increasing. With this release they have created a masterpiece. Check out the EPK below.
Thursday, April 1, 2010
Jason and the Scorchers - Halcyon Days

For all of you youngsters out there who love the history of alt-country, the first fact to know is that Uncle Tupelo started it all. Wrong Answer!!!! Before there was something called alt-country, there were many in the field. Rank & File (an early Alejandro Escovedo project), X was heavily roots influenced, The Blasters just to name a few. However, in my mind (which was clouded with Beer during this period)there is one band who created what later became alt-country. At the time it was referred to as Cow-Punk. Who cares what it was called then or now, Jason & the Scorchers fused Country with Rock in a way nobody had before. Jason was the panache and the voice and Warner Hodges raging guitar licks were the soul. Everyone who came to see them had kickin' party they could almost remember. The energy in a Scorchers show could power a third world country.
My life changed in 1984 when I first heard Lost and Found. They dominated the college bar scene of the 80s. They began to grow in popularity and even played with Dylan. However, label troubles, sickness and rehab (the big three for all rock bands)eventually put them on hiatus. However, with the success of the alt-country sound, which they basically created, they came back with an excellent album A Blazing Grace in 1993.
Fast forward to 2010, two years after receiving a lifetime achievement award from the AMA, they release Halcyon Days. It is their first new release in almost 15 years. Guess what folks? They've still got it. It is a more mature sound but still has everything you would expect of the Scorchers. So go out and get yourself a history lesson. It appears they intend to finish what they started.
Here's one from 1984
Labels:
Alt-Country,
Jason and The Scorchers,
Uncle Tupelo
Thursday, March 4, 2010
Patty Griffin - Downtown Church

Patty Griffin has just released her new album Downtown Church. The album was brilliantly produced by Buddy Miller and has an excellent supporting cast. On this album Griffin captures the soul of the traditional African-American Church, as well as the beauty of more traditional hymns. The mix of songs on this album capture a spirit of forgiveness that is truly the central message of Christianity. These songs don't have anything to do with the exclusive legalism of the mainstream American Church. Instead there is a soothing redemption given.
I don't care what your affiliation, songs like "little Fire," which features Emmylou Harris, will warm you deep in your soul (even if you don't believe in one). She reinterprets classic Gospel songs and hymns like "Tear This Building Down" and "All Creatures of Our God and King." Buddy and Julie Miller both join her on this project. On "Never Grow Old" Buddy's voice adds an authentic roughness to complement the softness of Griffin's voice. Downtown Church offers no condemnation, just beauty, soul and hope.
Labels:
Americana,
Buddy and Julie Miller,
Emmylou Harris,
Gospel,
Patty Griffin
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