Michael Donner & The Southern Renaissance - No Better Time

Just under the wire for 2011, Michael Donner introduces himself on his first solo album.No Better Time. What an introduction! Donner is certainly going to take listeners by surprise when they discover this collection of well crafted songs. This is not only one of the best under the radar releases of the year, it is one of the best releases period.


Donner is from Dallas, but he recorded the album in Alabama. More specifically it was created at the fabled Muscle Shoals Sound Studio. Having a Southern Renaissance in Muscle Shoals is a perfect place considering the plethora of Southern Rock, Country and Soul classics that have been recorded there. Although Donner's music is more of a virtuosity of styles and influences than a renaissance, it is a well crafted work of art by any definition. The album is a mix of Rock, Jam Band, Country and alt-country. However, no song is represented by a single style. Each song is a blend of influences. Whether up-tempo or more subdued, there is no doubt that a talented and emerging songwriter carefully arranged each song. 


No Better Time is an exceptional debut release. Michael Donner has set the bar high for himself, but there is no doubt that he is a truly gifted artist with more to offer in the future.

The Barr Brothers

The Barr Brothers are causing a buzz in the Indie world. Their self-titled debut release is a mostly acoustic journey into the duality of human emotion. They explore the context of our true feelings, and the complex emotions that make us betray them. The Barr brothers are not new on the scene, they are the founding members of The Slip. They have dropped the theatrical nature of their former band for a more stripped down, yet complex sound. The album’s ethereal undertone is accentuated by inclusion of the harp played by Sarah Paige.

Though mostly acoustic, there is some gritty Rock & Roll, like the Electric Blues on “Lord I Just Can't Keep From Cryin’”. Another interesting track is “Give the Devil Back His Heart”, which mixes in Native American influences. However, the song that really stands out, and is one of the best songs I have come across this year is the opener, “Beggar in the Morning”. The song is perfectly arranged with poignant lyrics. The song provides a very dark but true picture of how relationships can evolve over time. “Hello I’m a monster too and what poisons me is what poisons you too. Into these animals we grew, but when we were young our eyes were blue”.  Although they are veteran musicians, their debut as the Barr Brothers is impressive and full of innovation.

Dan Hubbard and the Humadors - The Love Show

It wasn't that long ago when someone asked me "Why doesn't anyone make Rock n' Roll" anymore?" Like many folks, he quit looking for new music after he graduated college, and was now trying to search the radio for new Rock n' Roll. If he asked that today, I would give him a copy of Dan Hubbard and the Humadors new release, The Love Show, and end his search. This Central Illinois based band, serves up Rock with hooks that latch on from the opener "Don't Take Me Now" and never let go.

Dan Hubbard gets it, Rock and Roll is best when it is uncomplicated. There are no gimmicks or pretenses found on The Love Show, just really great melodies. These are the songs that make you want to crank the volume and go for a drive. Just don't set the iPod on repeat or you may never come back.

As a songwriter, Hubbard follows a similar uncomplicated formula. Guess what indie rockers! You don't have to be an art school student on anti-depressants to write lyrics. Hubbard has a troubadour's gift, creating songs that balance life's tough times with hope and healing. On "This is Your Life" Hubbard sings, "Life isn't fair and that's Ok. It's crazy how much things can change before you even realize. This is your life. Yeah, there's some things you can't control. Yeah, sometimes you have to let go. Yeah, everything is gonna be fine. We're doin' alright baby." What is wrong with plain spoken wisdom?



Sample:
Stay Away

Mark W. Lennon - Home of the Wheel

Listening to Mark W. Lennon’s new release Home of the Wheel, I felt as if I was transported back to depression era America without leaving 2011. At times it is the music that takes you there, and other times it is the lyrics. Lennon draws the parallels between the Modern and the past with a wide brush of Americana. There are influences from traditional styles and contemporary songwriters like Ryan Adams. In between you will find Country and even some Jam Band riffs. All of these diverse ingredients may sound like a case of creative schizophrenia, and in some hands that would be the case. However, Lennon keeps his many influences contained within his own singular vision. That is no small task, and the result is a compelling sound that will likely end up in many listeners heavy rotations. Fans of Chattam County Line, the Avett Brothers or Steel Wheels will definitely enjoy Home of the Wheel.

The album was produced by Marvin Etzioni, a former member of Lone Justice who has worked with Steve Earle, Counting Crows and Lucinda Williams. Lennon is a North Carolina native but he now resides in California. In the title cut, Lennon gives a powerful portrait of life in post-depression America, and the desperation of the time. Other songs on the album are modern in there setting, but the parallel between then and now is clear. “Blues Forever (in Your Eyes)” is simply one of best songs I have heard this year. A Country tune “California Calling”, presumably refers to his own move to California. The move has been a good one for him, at least musically. His sound is now complete and he is establishing himself as a rising star in the roots music community of the area. Look for the buzz to get louder on future releases. Mark W. Lennon’s music needs to be heard.

“Blues Forever (in Your Eyes)”

Blues Forever from Mark W. Lennon on Vimeo.

The Greencards - The Brick Album

It does not seem long ago that the Greencards burst onto the New Grass scene. Almost immediately they captured audiences with music that blended influences from their Australian, European and American heritages. With the release of their fifth studio album, The Brick Album, The Greencards are now one of the most respected bands around. Their musicianship is admired by their peers, and the voice of Australian lead singer, Carol Young, is captivating. On the duet "Heart Fixer", Young is joined by Vince Gill and their voices complement each other with perfection. The album leads off with another all-star guest, Sam Bush, on the song "Make it Out West", which takes the smooth style of the band and adds the kick of Bush's mandolin.

The guest appearances are well chosen, but The Greencards are just as impressive on their own. The Greencards eclectic musical and lyrical brilliance is on full display in each track. The Brick  also captures the energy and passion of the band. Their passion was understated on their previous two releases, but this new project has a live feel. Anyone who has been to a Greencards show knows exactly to what I am referring.

The Greencards are an ever evolving band. With each release the expand their horizon. They don't seem content standing. Instead they continue to push boundaries, which makes room for a growing fan base.

HA HA Tonka - Finally Getting Their Props

Bloodshot artists HAHA Tonka, are getting a lot of attention with their new release, "Death of a Decade"

Check the links below to discover this band, if you haven't already.

NPR Song of the Day - http://www.npr.org/2011/04/27/135769495/ha-ha-tonka-desire-revulsion-and-obsessive-longing?ps=cprs

Washington Post:
A couple of rootsy, passionate, scruffy groups such as Mumford & Sons did their thing at the Grammy Awards this year, exposing their music to a relatively vast audience in one fell swoop. Mumford’s music is fine, but it’s a shame that Ha Ha Tonka couldn’t have taken that group’s spot. The Missouri quartet is not only authentically scruffy, it tears at the heart of American roots music with every chord like Mumford only pretends to, and its new record, Death of a Decade, basically oozes passion for the craft.

Featured on Anthony Bourdain's "No Reservations":
http://www.youtube.com/watch?v=J6ItEANFjwc

Featured on MTV's The Seven:
http://www.mtv.com/videos/misc/634707/music-monday-new-kingdom-freddie-gibbs-ha-ha-tonka.jhtml#id=1660389

Old Californio - Sundrunk Angels

“Cosmic American Music” is what Gram Parsons called his own music. I think the term also fits Sundrunk Angels, the new release by Old Californio. The length of the songs puts them in Jam Band territory. In fact, it is a bit odd that the Jam Band crowd hasn’t widely discovered these guys yet. “Jewels and the Dross” certainly channels the ghost of Jerry Garcia. Old Californio would have fit nicely into the California music scene of the late 60’s and early 70’s, but they are not just a throwback band. Their music intertwines their influences with an original and contemporary approach. They have a strong following in their home state of California and are expanding their fan base eastward. Sundrunk Angels should increase their following in both number and geography.

Songs like “Allon Camerado” start with a mid-tempo hook and then gradually migrate into full on high speed Jam.  It is not uncommon for the studio to fence in a group of improvisational musicians, but that is not the case here. The production of Sundrunk Angels has a live feel no matter if the song has a mellow vibe like the title cut, or an upbeat Country-Rock Jam such as “A Cool Place in the Light”. The time is right to jump on the bandwagon and take a ride.

This Post was first published on Twangville

Overlooked and Under the Radar Releases

There has been an early flood of great releases in 2011. Below are a few that should not get lost in the shuffle:

Robyn Ludwick - Out of These Blues: Produced by Gurf Morlix, This Rock and Blues album has an All-Star supporting cast. She is the younger sister of Bruce and Charlie Robison. She provides a gut punch of Blues and Rock that should not be overlooked. Download on CD Baby.

Exene Cervenka - The Excitement Machine: See my Review on Twangville.

Brian Wright - House on Fire: This Sugar Hill release features excellent songwriting. Wright even plays all of the instruments himself. An all around Talent! Order on Amazon.

The Only Sons - American Stranger: Country Rock from a band of Middle Tennessee State University students. Their influences are varied, but their future is bright. Website.

Bennet Brier - Scorpio and Me: An Austin Native that delivers raw and, at times, emotionally dark songwriting. The album is a deep soul-searching experience. Website.

Tara Nevins - Wood and Stone

When we last saw Tara Nevins, do her own thing, outside of the Donna the Buffalo "herd", it was an award winning Bluegrass album, but it has been over 10 years since Mule to Ride. On her new release, Wood and Stone,  she showcases a broader stroke of the Americana landscape. On the surface it invokes a similar territory travelled by Donna, but on her current solo project Nevins puts aside the jams. Instead she delivers a Country leaning effort that conjures up a time before the Opry. An era just before Nudie began making his sequined suits for Little Jimmy Dickens and Hank Williams (and a long time before he made the infamous gold lame' suit for Elvis). It is the music sung by and to the rural poor, who lived on the margins of the Post-Depression era economic recovery. People whose lives were defined by their broken relationships.

The earthy tunes on Wood and Stone are captivating. Nevins takes the past and utilizes drums and a steel guitar, to ensure the album is still contemporary. However, the real bridge between past and present is a voice, so singular and beautiful, that it must be heard to be appreciated. Ask any one of the "herd" who has followed her for years, and they will back me up. It has been too long since we heard from Tara Nevins as an individual artist, but the wait was worth it.

Video: Alison Krauss "Paper Airplane" available Tuesday (April 12th)

The Album is amazing. Wait one day, and you will hate yourself!!!
itunes

Lucinda Williams - Blessed

Some albums have lyrics with an emotional impact, but more often than not, the music impacts me more than the lyrics. So it is always special to find an album that does both.

Then there is Lucinda Williams' new project Blessed , which has great musicianship delivering a Soulful Blues with deep roots. Even More impressively, the lyrics not only affect the listener, they rip their heart open, exposing the deepest part of the soul and speak directly to it. This is not an exaggeration in the slightest, and your first listen to Blessed will prove it. The album opens with "Convince Me", which builds from a quiet question to a Rockin' feeling of hope. The title track demonstrates, in a dramatic way, that we are all Blessed everyday. However, we do not look for blessings, so we miss them as they move right in front of us. Indeed the theme of the album seems to be, that in always searching for more, we discount what we already have. We tend to long for something illusory, ignoring the good in our current reality. When we move on, we are just running away. Running never fulfills, but Williams doesn't pretend to know what does fulfill. She simply provides reflection for the journey. It is odd for an Album to be full of pain, without leading to hopelessness.

The producer of Blessed is Grammy Award-winning Don Was. Was co-produced the project with Eric Liljestrand and Tom Overby. Blessed features special guests Rami Jaffe on keyboards, Matthew Sweet on vocals Greg Leisz and Elvis Costello on guitar. In fact, Costello's guitar work on "Seeing Black" is amazing.


Buy the album on March 1st and see for yourself.

Iron & Wine - first entry out of the gate for Album of the Year

In music like politics early front runners can gain an adavantage. Using the political analogy, I believe Iron & Wine has just won the The Iowa Caucus. Ironically, some loyal fans are rebelling. It seems they never wanted Sam Beam to move away from the introverted, etheral sound, to which they became accustomed.

On Kiss Each Other Clean we discover that Beam's voice has a range that he has never unleashed. He hasn't lost the muted raspy tone of previous efforts. He just shows so much more. The melodies aren't hidden on this album. While it may be a new direction, it moves with the brush strokes of a diverse pallet. From the first listen, it is clear that Kiss Each Other Clean will be a career defining album for Iron & Wine.

Susan James - Highways, Ghosts, Hearts and Home

Susan James has gained a lot of well known fans over the last few years. Bob Weir and Rob Wassrerman heard her, and asked her to open for Ratdog. She has also opened for for Son Volt, Rufus Wainright, Richard Thompson and Lindsey Buckingham among others. 

She has been playing guitar since she was eight. She writes all of her own songs, and with the release of Highways, Ghosts, Hearts and Home, she can now add producer to an expanding list of talents. Much of the album is straightforward country, but she also integrates Ccontemporary Folk, often with a sort of Hippie jam virtuosity. The songs aren't eight minute jams, but the vibe is still the base of certain songs. The guest list is impressive. Three members of I See Hawks in LA play on the album. Gabe Witcher (Punch Brothers) plays fiddle and Danny McGough (Social Distortion) is on the Hammond B3 organ.. 

The lyrics she employs on Highways have basic themes, but the musical arrangement is more complex and layered. James' smooth voice wraps this project into a cohesive package. No doubt a large dose of critical acclaim will follow. The album will be released on February 15th, in stores and online. 

Susan James Facebook

Best of 2010

In most years, the best part of undertaking the task of creating a best of list, is highlighting the emerging artists that were unearthed. That was not the case in 2010. It was a year of the tried and true. It was like the a pair of worn out jeans you can't replace, because they are perfectly broken in and comfortable.

There were some good finds, like The Constellations and Phosphorescent. While Austin Collins is not a new name, he firmly established himself with the infectious "Wrong Control". However, my list for 2010 is primarily populated with the familiar, like Old 97's, Patty Griffin and Alejandro Escovedo. The album of the year is Robert Plant's "Band of Joy". Robert Plant is as familiar as it gets. So look at the list below and give me your feedback, whether bad or good, I can take it.

1 Robert Plant-Band of Joy

2 Old 97's-The Grand Theater Vol. One

3 Patty Griffin-Downtown Church

4 Austin Collins-Wrong Control

5 Paul Thorn-Pimps & Preachers

6 Ryan Bingham & The Dead Horses-Junky Star

7 Alejandro Escovedo-Street Songs of Love

8 Drive-By Truckers-The Big To-Do

9 Justin Townes Earle-Harlem River Blues

10 Crooked Still-Some Strange Country

11 Steeldrivers-Reckless Side of Me

12 Two Cow Garage-Sweet Saint Me

13 Phosphorescent-Here’s to Taking it Easy

14 Constellations-Southern Gothic

15 Dierks Bentley-Up On The Ridge

16 Marty Stuart-Studio B Sessions

17 Eleven Hundred Springs-This Crazy Life

18 Reckless Kelly-Somewhere In Time

19 John Hiatt-The Open Road

20 Jason & The Scorchers-Halcyon Times

21 Chattam County Line-Wildwood

22 Grace Potter & the Nocturnals-Grace Potter & the Nocturnals

23 Bobby Bare Jr.-A Storm, A Tree, My Mother's Head

24 Elliot Randall & The Deadmen-Caffeine & Gasoline

25 Infamous Stringdusters-Things That Fly

26 Jesse Malin & the St. Mark's Social-Love It To Life

27 The Gaslight Anthem-American Slang

28 Ray LaMontagne & The Pariah Dogs-God Willin' & The Creek Don't Rise

29 Pat Anderson -Magnolia Road

30 Railroad Earth-Railroad Earth

31 Ray Wylie Hubbard-A Enlightenment B Endarkenment Hint There Is No C

32 Carrie Rodriguez-Love And Circumstance

33 Dale Watson-Carryin' On

34 Honey Child-Nearer the Earth

35 The Hold Steady-Heaven is Wherever

35 Tim O'Brien-Chicken & Egg

37 Elizabeth Cook-Welder

38 Cherryholmes-IV

39 Willie Nelson-Country Music

40 Los Lobos-Tin Can Trust

41 Steel Wheels-Red Wing

42 Ted Leo & the Pharmacists-The Brutalist Bricks

43 Yarn-Come On In

44 Merle Haggard-I Am What I Am

45 Jim Lauderdale-Patchwork River

46 Tift Merritt-See You On The Moon

47 Great American Taxi -Reckless Habits

48 Jesse Dayton-One for the Dance Halls

49 Pete Yorn-Pete Yorn

50 Kasey Anderson-Nowhere nights

Amos Lee- Mission Bell

On January 25th, Amos Lee is going to release Mission Bell on Blue Note Records. Mark your calendars, this early January release will remain on many best of lists by the end of 2011. Characteristically, Lee's soulful voice is the focal point of the album. However, the sound of Mission Bell exhibits more texture than his previous releases. The project is produced by Joey Burns, from Calexico. His imprints are seen on every song. Mission Bell has a compelling echo, that adds a new dimension to Amos Lee's sound, and perfectly matches the lyrical theme of each track. 

It is an album about searching. The search is not temporal. Instead, the search is a cerebral journey. "Windows are Rolled Down" takes place at the interseciton of lonliness and renewal. The dichotomy of despair and hope pull the listener in two different directions. Conversely "Flower" is infused with a hope that is more optimistic, in fact it is a mature form of Naivete. Some songs, like "Stay With Me" are more atmospheric, but the soulful side of Lee is not lost or overshadowed on "Mission Bell", as shown by the song "Learned a Lot". However, an album with this much texture is perfect for guests like Sam Beam (Iron and Wine), Lucinda Williams and Pieta Brown. Willie Nelson also appears on the final track to make the exit from Mission Bell equal to its' entrance.

Paul Thorn - Pimps & Preachers

You can always count on Paul Thorn to provide a picture of life in the margins. His new effort Pimps and Preachers paints many different portraits. There are catchy singer-songwriter story songs like the opener “You’re Not the Only One”, which shows that the problems and trials of life are not unique to the family going through them. They are in fact prevalent in their own neighborhood. The title cut is a roots rocker about someone raised with two contradictory influences. However, the song reveals that these two mentors are really two sides of the same coin. “Love Scar” demonstrates the recklessness of getting a tattoo with your lovers name on it. It’s not hard to guess how the story ends.

Thorn also delivers some Electric Blues on this project that has the best musicianship on any of his recordings to date. Any many ways, Pimps and Preachers is a career defining album. The same brilliance exhibited on earlier albums like Mission Temple Fireworks Stand is present here. However, this new effort has a more diverse pallet. At the same time Thorn’s characteristic dry cynicism hasn’t been lost. “I don’t Like Half the Folk I Love” is a prime example of his dry wit. For those of us who are already Paul Thorn fans, Pimps and Preachers gives us everything we expect and much more.

Mike Farris - The Night Cumberland Came Alive

I'm not sure why the May floods that hit Nashville in May of this year did not seem to grasp the nation's attention like other recent natural disasters did. There was a lot of press attention, but it seems that the lack of hurricane force winds made the story less captivating. However, the people who lost homes and loved ones in the flood were as devastated as Katrina victims.

Mike Farris (The former front man of Screamin' Cheetah Wheelies) decided he would rectify the situation with a benefit EP. The Night Cumberland Came Alive,  is a Gospel recording done at the Downtown Presbyterian Church. This historic Church is the same venue Patty Griffin recorded her recent Gospel project. Farris is no stranger to Gospel, having won a Dove award for his most recent album Shout!  Proceeds will be used to help the flood victims.

The guest list is impressive featuring, Sam Bush, Kenny Vaughan (Marty Stuart), Ketch Secor and Gill Landry from Old Crow Medicine Show and Byron House. The opening title track is a wake up call to our own mortality, "I will remember the night the Cumberland came alive. It should remind you that you were born to die." Howver, the shock of the tragedy, is balanced by the call for hope and restoration provided by the song  "Dear Lazrus". Combine Farris' vocal styling with the all-star musicians contributing to the project and you have a donation worth making.

Jon Langford - Old Devils

Is it possible for the leader of bands like the Waco Brothers andhe Mekons to become introspective, and produce an album that results in something beyond the live music bar bash that characterizes every Waco Brothers show? The simple answer is yes. Langford is also a very accomplished outsider artist, maybe his visual art is bleeding into his songwriting.

The Rootsy Punk is still there, but there is also an introspective biography embedded in the album. There are autobiographical tracks and stories of other characters, who seem to exhibit traits and faults that he sees in himself. Dare I say the album is Folk with Pumk undertones. That description seems as oxymoronic as James Taylor spitting on his audience in a Sid Vicious type rage. In reality, that is what Jon Langford's  audience is presented with on Old Devils

Why are the words so poignant this time around? Only Langford can answer that for himself. However, no matter who you are or what your vocation, there comes a time when you must mature from being an innovator to a mentor. This is an uncomfortable task for some people. Langford seems to be straddling the fence himself. If so, that is a shame because Jon Langford is the type of multi-faceted creative genius that young artists should seek out. Maybe we could start a petition to get him on the next "Dancing with the Stars." In fact, what could get him more recognition than doing the tango while grabbing the ass of some forgotten actress. If nothing else, Jon Langford could make reality TV worth watching.

Jon Langford Website

Marty Stuart - Ghost Train , The Studio B Sessions

The new Marty Stuart release, Ghost Train , The Studio B Sessions, has everything a real Country album should have. The album was recorded at the famed RCA Studio B in Nashville. The studio was designed in the 50's by Chet Atkins and quickly became the Country Capital's premier recording venue. In fact, It would be easier to make a list of the "Nashville Sound" era artists that did not record there than a list of the ones that did. Marty Stuart has always played the role of being a bridge from the past to the present. He works hard to keep the traditional styles of Americana vibrant, even in the current Idol winner tuned hillbilly world of Country Music. Along the way he has been able to buck the trend and record some big hits of his own.

On Ghost Train  he decided to include as many of the styles and themes of traditional Country as possible. Of course there is the unmistakable influence of his former father-in-law, Johnny Cash. In fact, the executioner's tale, "Hangman", was co-written with Cash shortly before the Man in Black passed away. Ghost Train begins with the outlaw Honky-Tonk of "Branded", then follows it up with a Rockabilly number, "Country Boy Rock". The most emotional song is the heheartbreak ballad "Driftin' Apart". When Stuart sings "I'm a stranger in your world now and it's driving me out of my mind", you feel the pain of a love torn apart over time. Along the way he even works in a Bluegrass tune and themes such as the plight of the working man. It is as if Stuart is on a missionary's journey to preserve the history of Americana Music. Hopefully, he wins a lot of converts along the way.

Check out Stuarts newest venture:
The TV network RFD-TV

Hayshaker

I have to admit bias on this one. When a band can have lyrics like, "Second thoughts have occurred. I feel like a gigantic turd. Walking barefoot like a hooker at 3 in the morning," I can't give it a bad review. The truth is these boys from Georgia have unleashed a great album. The band is unsigned and primarily a local phenomenon. I have a feeling that is all about to change. In spite of the lyrics above (from the song "Swamp County") this is no novelty act. Hayshaker is for real. 
They mix a sound that is at times Country, but with a twist. They know how to use power chord licks with abandon. Lead singer CC Rider has a voice that sounds as if it should be singing Indie Rock instead of Roots Rock. Female vocalist Laurie Rider rounds out the bands sound, which is hard to categorize. The best way to describe Hayshaker is "Kick-Ass" Country. The steel guitar haunts the music of the album, which is also a part of their uniqueness. Lyrically the band is at times humorous, but they are more often deep and impactful. They have a talent of mixing sarcasm with truth. It is time to jump on the bandwagon while it still has room. I have a feeling there will be a second deck on the bandwagon before too long.

MySpace

Video: Grace Potter and the Nocturnals - "Paris"

Darrel Scott In Robert Plant's New Super Group

Acclaimed musician and songwriter Darrell Scott has been tapped to join Robert Plant’s new project, Band of Joy, whose tour begins tomorrow in Memphis, TN. The super group, which includes Plant and Scott alongside Patty Griffin, Buddy Miller, Byron House and Marco Giovino, will embark on a series of tour dates this summer. An album featuring this line-up will be released later this year on Rounder Records.


How about that for a lineup. Can't wait for the Album. If you have heard his latest release A crooked Road you know why he is part of this all-star lineup.

Donna Ulisse to be featured on Sirius XM

Bluegrass singer Donna Ulisse is the featured artist this week on the Sirius XM show Track by Track hosted by Kyle Cantrell on the Bluegrass Junction channel. Ulisse will be chatting about her current release “Holy Waters”, a bluegrass gospel collection of thirteen songs of which she wrote or co-wrote twelve. Ulisse has often referred to the recording as her own “soul journey”.


There are two remaining dates to catch her. I am apologetically late on this news.
Sunday, July 25, 2010 /11 :00 a.m. eastern time

Wednesday, July 28, 2010 /midnight eastern time.

Twistable Turnable Man - Shel Silverstein Tribute

I must admit that I am sick of tribute albums. There is noone left it seems that hasn't had a tribute album done in there name. In fact, I am waiting for a tribute album to tribute albums. Better yet, I would love to see a tribute album to a band that hasn't even formed yet. Conceptually, every possible interpretation to pay tribute to an artists's work has been done.

Now that the above sermon is over it is time to be a hypocrite. Conceptually, Twistable Turnable Man is notthing original. However, it was done by Bobby Bare Jr. who knew and loved Silverstein well. More so, the freindhip between his father and Silverstein goes back to the early 60's. It is this generational perspective of Silverstein's songwriting that makes this album work. Both old and new artists contribute to the album. Further, if anyone is deserving of homage it is Shel Silverstein. He was a songwriter, cartoonist and poet for Playboy and paradoxically a noted writer of Children's books.

Who better than icons like Ray Price, Kris Kristofferson and John Prine could be included on this album. In fact, Price has recorded Silverstien's songs a couple of times in his career. Noone collaborated with hime like Bobby Bare, and his version of the "The Living Legend" may be the best song of the entire project.

Now we move from the legendary to the more current younger artists. Bobby Bare Jr. made some good choices for this group. after all a Country record is not a Country record without My Morning Jacket (WTF)!  Actually, they have a heavy roots music influence and their opener "Lullabies, Legends and Lies" competes with Bobby Bare for the best song on the album. However, songs by Andrew Bird, Dr. Dog, Sarah Jarosz and Black Francis provide interpretations that make the songs take on a new life. In between the new and the old are contributions by Lucinda Williams and Nanci Griffith. The campy song "Boy Named Sue" originally recorded by Johnny Cash, could only have been recorded by one contemporary artist. Bare Jr. knew this and chose Todd Snider. Snider does a version of the song that would make the Man in Black himself proud.

For more on Silverstein see the source of all knowledge: Wikipedia

Truth and Salvage Co. - Full album stream

 

Truth $ Salvage company have just released their debut album, produced by Chris Robinson of Black Crowes. Their influences are obvious, but they are combined in a way that preserves originality. You will find Classic Rock and Roll, Southern Rock and Outlaw Country. They have four singers who contribute. 

RIYL if you like Band of Heathens

Truth and Salvage Full Album Stream